Houdini, Ouija and the New World Order

In Western culture, the name Harry Houdini is practically synonymous with magician.  Yet, magic is not a force which Houdini was prone to suggesting was present during his illusions.  Instead, Houdini was not magician, but performer of physical feats, among the earliest stuntmen in history, strongman, and tactician whose ability to focus was centerpiece, under conditions created specifically to be as dangerous as possible.  An implication of Houdini's acts was that his mind informed his actions and guided him to safety, not some mysterious ethereal force or lapse in reality.  Houdini gained admiration and recognition greater than that felt by the conventional magician by intimating that the awesome mental potency necessary to complete his performances was all his own, and not imbued upon him by an exterior force of nature, such as an Angel or Demon.

In this way, Houdini was a secular magician, whose work existed not to venerate the unseen spiritual side of life, but to enliven man's confidence in himself, show him that what may seem impossible to one man will be swiftly and expertly achieved by another.  Still, coyness, the magician's consummate partner, allows for a bevy of interpretations.  The people affected by his performances chose for themselves the nature of his power, either corporeal or invisible.  In both cases, he was an inspiration, empowering man's belief in himself, or the might of the universal God-force.

In the last years of his life, Houdini magnified the humanistic nature of his message.  Instead of espousing the divine nature of his gifts, he accentuated the permanence of death, working to disprove anything advertised as genuinely supernatural.  Spiritualism was a cultural movement gaining traction during that time which suggested that the living can communicate with the dead through séances, divination and simple devices such as the Ouija board.  Sherlock Holmes author Arthur Conan Doyle was a true believer, and theorized that Houdini indeed utilized some real sort of magic during his performances, and was want to withhold these powers from the general public.

Houdini passed through a gateway of two ornately engraved, massive wooden doors, one of which was open.  On a thinly worn Persian carpet the width of a sidewalk, he walked an unnumbered amount of steps before sitting down in a plush burgundy leather chair, not yet showing recognition to the man who sat opposite him, behind a desk much too large to  be reached over.  He sat back, crossed his legs, looked up and slowly blinked once at the man.  Before waiting for his superior, Harry spoke.  "Spiritualism must be curtailed.  The people aren't ready to grasp it.  You know that.  Why are you showing them our ways, and teasing the code directly to them?  Ouija boards are too powerful a tool, they brandish the code, they invite possession, they're beyond dangerous.  This is far too early, and you know these things."  The man across the desk replied without hesitation.  "Harry, everything is how it is meant to be.  This period of awareness will pass, and decades from now our society will be stronger than ever.  They don't know the code, nor the way, nor a single actual spell.  They'll never figure out a thing, until they and us are mutually prepared."  Harry looked on, like his fortune was being stolen right out of his wallet.  The man continued.  "Your degree in the society gives you freedom.  If you wish, you may attempt to retake these powers which you see as fleeting.  You will not be stopped.  Of course, you cannot talk about the code, or disparage concepts which the society champions.  Ouija is absolutely necessary to the development of the code, and the master plan."

The time has come, and the people are ready to learn the code.  Ouija boards brandish a very important secret.  Every letter is inextricably connected to its corresponding number, which is determined by its place in the order of the alphabet.  A, B, C = 1, 2, 3.  The alphabet can be divided into three distinct groups: Catalyzers, the "3" group, and the Right-sided group.  Catalyzers are letters which strengthen whatever they are combined with: A (1), B (2), D (4), J (10), K (11), and  T (20).  "3" letters are those whose position in the alphabet contains a multiple of 3: C (3), F (6), I (9), M (13), P (16), S (19), W (23), and Z (26).  Right-sided letters are what remains of the alphabet.  The vast majority of all mainstream films, horror films especially, follow the "Rule of 3", having the initials of only the catalyzers and "3" group.  Right-sided letters are used relatively rarely as initials.  It is appropriate that Horror films often follow the "Rule of 3" because films and shows are meant to represent the symbolism of their initials.  As a whole, the "3" group of letters symbolizes ideas which are liberal, progressive, forward, nontraditional, iconoclastic, leftist.  The last century's most liked and seen Horror films all exhibit the code's methodology:

Alice, Sweet Alice (1976): A.S.A. = 1-19-1
Altered States (1980): A.S. = 1-19
American Mary (2000): A.P. = 1-13
American Psycho (2000): A.P. = 1-16
Berberian Sound Studio (2012): B.S.S. = 2-19-19
Black Sabath (1963): B.S. = 2-19
Black Sunday (1960): B.S. = 2-19
Body Parts (1991): B.P. = 2-16
Body Snatchers (1993): B.S. = 2-19
Cabin Fever (2002): C.F. = 3-6
Candy Man (1982): C.M. = 3-13
Cape Fear (1962): C.F. = 3-6
Castle Freak (1995): C.F. = 3-6
Cemetery Man (1994): C.M. = 3-13
Child's Play (1988): C.P. = 3-16
Creep Show (1982): C.S. = 3-19
Dead Silence (2007): D.S. = 4-19
Dog Soldiers (2002): D.S. = 4-19
Dark Water (2005): D.W. = 4-23
Fight Club (1999): F.C. = 6-3
Friday The 13th (1980): F.T.M. = 6-20-13
From A Whisper To A Scream (1987): F.A.W.T.A.S. = 6-1-23-20-1-19
From Dusk Till Dawn (1996): F.D.T.D. = 6-4-20-4
It (1990): I.T. = 9-20
It Follows (2014): I.F. = 9-6
Jaws (1977): J.A.W.S. = 10-1-1-23-19
Jeepers Creepers (2001): J.C. = 10-3
Paranormal Activity (2009): P.A. = 16-1
Planet Terror (2007): P.T. = 16-20
Peeping Tom (1960): P.T. = 16-20
Pet Sematary (1989): P.S. = 16-19
Puppet Master (1989): P.M. = 16-13
Saw (2004): S.A.W. = 19-1-23
Session 9 (2001): S.I. = 19-9
Shutter Island (2010): S.I. = 19-9
Sleepaway Camp (1983): S.C. = 19-3
Tales From The Crypt (1972): T.F.T.C. = 20-6-20-3
The 6th Sense (1999): T.F.S = 20-6-19
The Black Swan (2010): T.B.S. = 20-2-19
The Blair Witch Project (1999): T.B.W.P. = 20-2-23-16
The Cabin In The Woods (2012): T.C.I.T.W. = 20-3-9-20-23
The Stuff (1985): T.S. = 20-19
The Texas Chain Saw Massacre (1974): T.T.C.S.M. = 20-20-3-19-13
The Ward (2010): T.W. = 20-23
The Wolfman (2010): T.W. = 20-23
The Wicker Man (1973): T.W.M. = 20-23-13
The Wicker Tree (2011): T.W.T. = 20-23-20
We Are What We Are (2010): W.A.W.W.A. = 23-1-23-23-1
When A Stranger Calls (1979): W.A.S.C. = 23-1-19-3
Wolf Creek (2005): W.C. = 23-3
Wrong Turn (2002): W.T. = 23-20

Long ago, the Freemasonry elite secretly conspired with their members implanted in the entertainment industry, to follow a letter-number code in titling the entirety of all media, which would subliminally subdue the American population, so that goals towards New World Order could be sought.  Even if this code were not based on universal design and mathematics, its popular use in the media would still forcefully impart important meaning upon letters and numbers.

We humans were once one.  Those who were illuminated and those who were not worked together, lived together, in peace and war, but as one.  Then, some decided to separate.  These people considered themselves better than others, and unable to coexist among normal minds, which they saw as darkened.  The created a barrier separating their group from the others, a barrier which did not exist, an invisible meaningless abstraction.  Behind their wall, they felt safer to do their work.  Their minds focused on Psychology, Philosophy, Science and Religion, they saw a grand significance and deeper meaning in numbers.  They knew that a triangle represented a different idea than a square, a line meant something different from a point.  And when these higher people wrote the alphabet, they knew that it must have order.  So their order made an order of the letters, a New World Order.  This website exists to explain the secret letter-number code by which all media is titled.  If you're not already familiar with this code, welcome, and start with the Site Map and see what you can learn.