Lessons Tarot Cards Can Teach Humanity


Each of us has lessons to learn, yet many of us will die before that occurs.  When we arrive to this plane of existence as infants, we are inchoate beings, innocent and without fault, but also devoid of wisdom or understanding.  When we leave this plane, we are full to the brim of information and facts, both trivial and important, but still with manifold lessons remaining, not just those of history, science or mathematics, but of morality.  None of us, even the greatest saint, is worthy of telling himself he has learned all the world has to teach.  Yet, so many of this earth bask in the glory of their own phony halos, secretly thinking themselves the author of their own immutable truth, the God of their own universe and the keeper of its laws.  The uneducated stay so because to them their position is the best and easiest way to skate through life.  Others of different sociological groups take it upon themselves to act as the police of everyone around them, not inconspicuous in their unearned and incorrect high opinion of themselves.  Even the humanist, clinging to his throne of egalitarianism, wishes that everyone was able to see the world as he does.  He says everyone is entitled to their opinion and often abstains from asserting any himself so that he can maintain a level of artificial dominance over those with the audacity to have one.  Humanity’s defect is that, deep inside, everyone, from the poorest to the richest, talentless to most gifted, believes theirs is the best thinking.  None of us is God.  Despite whatever New Age rhetoric is telling us, all of us are wrong.

Tarot is a type of playing card deck used for games, as well as divination, the superstitious method of gaining insight.  Questions are posed, either aloud or silently, towards the deck, or whoever may be listening, and the person with the deck makes inferences resulting from which cards are dealt.  Based upon one’s understanding of each card’s symbolism is how the deck is used to provide answers to queries.  The organization of Tarot decks has varied, but the standard modern deck consists of 88 cards falling into two groups.  The “Minor Arcana” is basically similar to the normal 56-card playing card deck, but with different types of suits.  The “Major Arcana”, also called “trumps”, consists of 22 independent cards with whimsical names like “Wheel of Fortune”, “Justice”, “The Sun”, “The Moon”, “The Hermit” and "The Fool".  Each card has been imbued with its own tome of symbolism, the origin of which is impossible to ascertain.

Tarot has been used in both magnanimous and nefarious ways throughout its centuries long history.  Many kind occultists offer readings as a free service, seeing it as a genuine source of potential help for those whom are in some sort of guidance.  Others charge ridiculous fees and make insincere readings to eager clients whose gullibility they exploit.  Unfortunately, Tarot is so flexible that there is no way to prove the legitimacy or illegitimacy of any reading.  It’s not a science nor an art, but an exercise, a meter measuring the universe in units which we do not definitively comprehend.  Every tarot reading ever given likely contains some point of objection to be made by other practitioners.  Someone who knows nothing about Tarot might be forced to stammer their way through a reading and eventually give the same exact reading the world’s greatest expert would.  Tarot card readers are generally a supercilious bunch because by simply making deductions about the way the cards have fallen, they are asserting that their beliefs about the nature of the cards is informed.  The difference between an educated guess and a statement becomes blurred, causing them to think they possess knowledge where all they really possess is assuredness.  Once one becomes set in their ways, their ability to learn new methods of thinking is discontinued.

In this way, Tarot’s historical usage embodies all the faults of humanity.  Humans are stuck in such a ceaseless struggle for survival that if any chance arises for a trick to played, it is.  Knowledge isn’t shared, in order to empower others and the world as a whole, it is kept greedily at the chest, in order to assert dominance over others who lack it.  The reason that Earth’s understanding of Tarot is so nebulous is that those who truly understand it want to use that for their own benefit.  Readings are seldom prefaced by a disclaimer of bias or incomplete knowledge.  In order to market themselves effectively, people who provide readings for others represent themselves as having a deep and profound understanding of the deck, avoiding to admit that they don’t really know what they’re doing at all.  To their clients, the reader’s knowledge is complete and inarguable, relayed from Zion itself.  If they only knew that everyone is faking their way through Tarot and indeed through life, they wouldn’t be so quick to prostrate themselves below a false idol.  Of course, we all need to sometimes procure the assistance, advice, aid or mentorship of others.  Unnatural societal differentiation is created when the teacher becomes too comfortable in their position of leadership, while the student becomes too comfortable in their position of follower.  Even the teacher of millions is student to another.

The Tarot deck’s “Minor Arcana” is similar to the everyday deck, containing cards with names such as the “Five of Swords”, “Six of Cups”, “Seven of Wands” and “Eight of Coins”.  It might be easier and quicker to title these cards just what they are, “Five Swords”, “Six Cups”, Seven Wands” or “Eight Coins”, literally what is shown on the face of the card.  This method, however, would defeat the purpose of Tarot entirely.  If one pulls a single card, for example the “Five of Swords”, the reader is to infer that the universe is placidly asserting that the number five is “of” swords, intrinsically related to and a part of swords.  The esoteric symbolism of the number 5 would in this case be contained within the symbolism of swords.  The “Five of Swords” has the meaning it does because the universe where five is of swords differs from the universe where four or six is of swords.

Ultimately, Tarot is best used as a tool for one’s own study, not for making prophesies about the lives of others, or even oneself.  By gradually acquiring an understanding of each card in the deck, one begins to understand the significance of each number, besides its simple mathematical definition.  For instance, the numbers 3, 6 and 9 have a special significance on this plane.  The triangle has 3 sides, with angles equaling 180 degrees, which is divisible by 3, 6, and 9.  The circle has 360 degrees, also divisible by 3, 6 and 9.  Tarot cards of these numbers thus have interdependent relationships.  Endless formulas, equations and geometric images illustrate that these 3 numbers are paramount to the grand design of the universe.

The colossal secret of the century is that the authors of the mass media have instilled across the entire entertainment industry these exact blueprints, the living version of Tarot incarnated.  The majority of films, television shows, products, magazines, stores, slogans, videogames, songs and albums are titled to follow something called the “Rule of 3”, defined as the great overuse of letters which contain a multiple of 3 according to their place in the alphabet.  That means that most of the words you see everyday in the mass media begin with C (letter 3), F (6), I (9), M (13) , P (16), S (19), W (23), and Z (26).  This, the "3" group, is also used with letters which act to support its power: A (1), B (2), J (10), K (11) and T (20), letters which contain 1 or 2.  Like sacred geometry, upon which the numerological symbolism contained with Tarot is based, this “code” is an arcane subject worthy of unending study and contemplation.  Every single media piece is meant to represent, in the letters and initials of its title, its themes.  The “Rule of 3” is pervasive throughout the mass media because it also permeates through our physical plane of existence.  The remaining letters are eschewed because they are that which permeates through the higher, astral plane of existence, something which is rarely represented in the mainstream media.

Just as with Tarot, the preposition “of” is used to assert that one entity is related to and part of another.  In all other cases, the initials of words is what matters.  However, as used by The Code, “of” does not signify O (letter 15), but instead implies a correlative relationship between the initials on its two sides.  The following list illustrates how the mass media code uses the word “of” in combination with the “Rule of 3”.  Every initial is either a “3” letter, those which contain a multiple of 3 according to their place in the alphabet, or is part of the “catalyst” group, those which contain 1 or 2.  The word “of” solidifies a connection between the initials which it intersects.

A String of Pearls (song) - A.S.P. = 1-19-16
Ace of Spades (song) - A.S. = 1-19
Age of Innocence (film) - A.I. = 1-9
Anatomy of A Murder (film) - A.A.M. = 1-1-13
Angel of Mine (song) - A.M. = 1-13
Bridges of Madison County (film) - B.M.C. = 2-13-3
Chain of Fools (song) - C.F. = 3-6
Chariots of Fire (film) - C.F. = 3-6
Children of The Corn (film) - C.T.C. = 3-20-3
Cloud With A Chance of Meatballs (film) - C.W.A.C.M. = 3-23-1-3-13
Diary of A Wimpy Kid (film) - D.A.W.K. = 4-1-23-11
Flight of The Conchords - F.T.C. = 6-20-3
Flock of Seagulls (band) - F.S. = 6-19
Invasion of The Body Snatchers (film) - I.T.B.S. = 9-20-2-19
Man of Steel (film) - M.S. = 13-19
Memories Are Made of This (song) - M.A.M.T. = 13-1-13-20
Person of Interest (show) - P.I. = 16-9
Phil of The Future (show) - P.T.F. = 16-20-6
Pirates of The Caribbean (film) - P.T.C. = 16-20-3
Planet of The Apes (film) - P.T.A. = 16-20-1
Poor People of Paris (song) - P.P.P. = 16-16-16
Poor Side of Town (song) - P.S.T. = 16-19-20
Sands of Imo Jima (film) - S.I.J. = 19-9-10
Scent of A Woman (film) - S.A.W. = 19-1-23
Son of A Preacher Man (song) - S.A.P.M. = 19-1-16-13
Soldier of Fortune - S.F. = 19-6
The Sound of Music (film) - S.M. = 19-13
That’s The Way of The World (song) - T.T.W.T.W. = 20-20-23-20-23
The Count of Monte Cristo (film) - T.C.M.C. = 20-3-13-3
The Fate of The Furious (film) - T.F.T.F. = 20-6-20-6
The Sounds of Silence (song) - T.S.S. = 20-19-19
The Tears of A Clown (song) - T.T.A.C. = 20-20-1-3
The Tracks of My Tears (song) - T.T.M.T. = 20-20-13-20
The War of The Worlds (film) - T.W.T.W. = 20-23-20-23
The Wolf of Wall Street (film) - T.W.W.S. = 20-23-23-19
The Wrath of Khan (film) - T.W.K. = 20-23-11
Top of the World (song) - T.T.W. = 20-20-23
Treasure of Sierra Madre (film) - T.S.M. = 20-19-13
Wheel of Fortune (show) - W.F. = 23-6
White Shade of Pale (song) - W.S.P. = 23-19-16
Wizards of Waverly Place (show) - W.W.P. = 23-23-16

Hopefully you aren't surprised by the existence of this code.  Most of us have long been aware that, behind the curtain, Western media was hiding something, sinister or benevolent.  The entertainment industry is not just a business, it's a tool, used by the governors of the world to instill in the people the qualities they wish.  The consumerist culture is often maligned, but the ultimate goal of the Illuminati class is to make us thirsty for life, not greedy for products, but greedy for adventure, creation, experience, relationships and spirituality.  In order to live our lives fully, we had to be oblivious to the code, exist despite it.  Although it may sound not sound intuitive, having a closed mind is sometimes better than an open one.  The Code has been nagging at all of our consciousness for the entirety of our lives.  The people who blocked themselves from it are those who enjoyed their lives the most.  Spiritualists are the ones who've lived with a burden upon them, unable to solve the cosmic puzzle constantly haranguing them.  When the code is fully disclosed to the public, they will be vindicated, freed, and given back their nature.

Subliminal Messages in Children's Programming


Properly parenting a child is among the world's most difficult and important tasks.  The parent's duty is to show their child the best path to being a quality individual, succeeding at life, building upon the legacy of their family, their ancestors, and making the world a better place.  A child's mother and father are obligated to rise to the occasion.  The existential perspective of the new parent is often elevated to such an extent that they immediately become a better person, realizing the monumental and timeless endeavor upon which they are about to embark and become their best self for the benefit of their child.  They obsess over their child, and he or she becomes more paramount than themselves.  Other times, the selfishness of parents permeates through.  They become lazy guardians, egocentric, or project their own sadness and anger onto their child.

In his poem My Heart Leaps Up, William Wordsworth wrote that "The Child is father of the man".  It is the mandate of humanity that each successive generation improve upon the last.  Even the world's greatest, most intelligent and gifted parent will still be humbled by the beauty of his or her progeny's mind.  The bigoted parents consider themselves better than their child.  Instead of admitting their own imperfection and lack of universal understanding, they posture themselves as a god.  They refuse to accept that the gift of their child was given so that they may learn, as well as teach.  The growth of their child is smothered, their world view is diminished, their confidence is hampered, and their aspirations are lowered.  The only true failure of a parent is one who does not provide for his child the faculties to be a greater success than they.  Happy, able people who raise children to happy, able adults are only achieving the least that is expected from them.  The world's greatest parents are those who were themselves provided the least from their own parents, yet gave the most possible to their own.  Each of us is bound by the constraints of our own abilities.  The effort that we exert using these abilities is a person's measure.

If the personality of an adult was shaped entirely by their parent's influence alone, the disparity of the human race would augment.  Angry parents would raise even angrier children.  Bigoted parents would raise even more bigoted children.  Intelligent parents would raise even more intelligent children.  Materialistic parents would raise even more materialistic children.  The gap between the classes and societal groups would increase and strife would become rampant.  Fortunately, a variety of forces contribute to creating the people that occupy this planet.  We learn how to act from our friends, from other family members, at our educational institutions, and through other avenues, such as the internet, which is creating all sorts of worldly connections which were previously impossible.

The role of schools in a child's developmental process has increased greatly over the past century.  Prior, parents were undoubtably the main force in their child's upbringing.  Many children were received their main education at home, then later brought it to the outside world.  Alternatively, the contemporary child receives their main education from the outside world and brings it home to their parents, who often are surprised, impressed or dismayed by the information they hear regurgitated to them.  Parents are having to do much less parenting and much more syphoning, filtering the barrage of positive and negative information which their children are vulnerable to absorb.  Choosing for their children the television they view, the websites they visit, the friends they keep, and the school they visit has become so important that the importance of the wisdom which parents directly give their children has been eclipsed by the choices they make on their behalf.  Teachers are increasingly more parental, but parents haven't become teachers, they've become decision makers.

Many adults credit television with teaching them many lessons used throughout their lives.  Children's programs are designed to teach lessons to the young just as adult programs are designed to illustrate a moral to the already grown.  Television has been a main educational force for the last century, imparting us all with a diluted version of the ethics taught in the books which we put down long ago.  As the world population exploded, it became necessary for television to fulfill the role of master.  Billions of people were to interact with each other and without knowledge which they could share together, confusion would have prevailed upon us.  By broadcasting the same image to so many people, we immediately gained something in common.  Television reflected the temperament of the people.  It showed us our true selves, comedic, dramatic, sometimes inane, sometimes violent, but sometimes poignant and intelligent.  It shaped Earth's humanity as we shaped it.

Television's historical importance was destined.  When it began a century ago, its progenitors knew the role it would play in shaping the world of tomorrow.  The world's most recent era is always its most important.  We've skirted past annihilating ourselves countless times.  None knows the great efforts done to preserve human life on Earth.  Without the force of television shining its light into so many households around the world, bringing with it disconnected emotion, thought and humor, we might not have even gotten so far.  The authors of the mass media have been accused of participating in a massive conspiracy to keep the people pacified and behaved.  Indeed, that theory has already been proven.  The goal of the governing class is to govern.  To maintain that status, they have trained the people to be governable.  

In order for television to take the role of parent, god and king, it needed to project upon its audience something worthy of awe.  To theater the people were already accustomed.  Shakespeare taught them to be experts at its tricks and tactics.  They were informed enough not to be outsmarted by ruses.  So, in addition to the usual semantic jokes, allusions and puns, another layer of ironic depth was needed, which came in the form of a code.  This simple letter-number code was used throughout the mass media since the inception of television.  It's present in music, film, television, products, stores and print, everything consumed by humans, by both adults and children.

The code is based on simple principals.  Every letter is assigned a number based on its position in the alphabet.  A.B.C. equals 1-2-3, and so forth.  The code's most important tenet is the "Rule of 3", defined as the vast overuse as initials of letters which contain a multiple of 3: C (3), F (6), I (9), M (13) , P (16), S (19), W (23), and Z (26).  This "3" group is also combined with the "catalyst" group: A (1), B (2), J (10), K (11) and T (20).  The remaining letters are used much less often and if possible not at all.  The code follows this formula so that the ideas which the "3" group of letters symbolize are strengthened in the conception of the public.  The code is ubiquitous.  Since the birth of the media it has been present.  That it is used in the same manner for both children's and adult's programming indicates the esteem which its authors hold the people:

Barney and Friends
B.A.F. (2-1-6) follows the "Rule of 3" as the combination of "3" letter F (6) with catalyzers A (1) and B (2).

Blue Peter
The world's longest running children's show, from England, follows the "Rule of 3" as the combination of "3" letter P (16) with catalyzer B (2).

Blues Clues
B.C (2-3) follows the "Rule of 3" as the combination of "3" letter C (3) with catalyzer B (2).  Through ratio, it also suggests .666, the "Number of the Beast". 

Bugs Bunny Show
B.B.S. follows the "Rule of 3" as the combination of "3" letter S (19) with catalyzer B (2).

Captain Kangaroo
C.K. (3-11) follows the "Rule of 3" as the combination of "3" letter C (3) with catalyzer K (11).

Care Bears
C.B. (3-2) follows the "Rule of 3" as the combination of "3" letter C (3) and catalyzer B (2). 

Chip Munks
C.M. (3-13) follows the "Rule of 3" as the combination of "3" letters C (3) and M (13).

Fineas And Ferb
F.A.F. (6-1-6) follows the "Rule of 3" as the combination of "3" letter F (6) with catalyzer A (1).

Josie And The Pussycats
J.A.T.P. (10-1-20-16) follows the "Rule of 3" as the combination of "3" letter P (16) with catalyzers A (1), J (10) and T (20).

Kids Incorporated
K.I. (11-9) follows the "Rule of 3" as the combination of "3" letter I (9) with catalyzer K (11).

The Magic School Bus
T.M.S.B. (20-13-19-2) follows the "Rule of 3" as the combination of "3" letters M (13) and S (19) with catalyzers T (20) and B (2).

Mickey Mouse Club
M.M.C. (13-13-3) follows the "Rule of 3" as the combination of "3" letters C (3) and M (13).

Mighty Mouse
M.M. (13-13-3) follows the "Rule of 3" as the alliteration of "3" letter M (13).

Mopatop's Shop
M.S. (13-19) follows the "Rule of 3" as the alliteration of "3" letters M (13) and S (19)

Mr. Magoo
Again, the alliteration of "3" letter M (13) strengthens it.

Mr. Wizards World
M.W.W. (13-23-23) follows the "Rule of 3" as the combination of "3" letters M (13) and W (23).

Muppet Babies
M.B. (13-2) follows the "Rule of 3" as the combination of "3" letter M (13) and catalyzer B (2).

My Three Sons
Literally, M.T.C. (13-20-19) follows the "Rule of 3" as the combination of "3" letter C (3) and M (13) with catalyzer T (20).  Obviously, M.C.S. (13-3-19) also follows the same rule.

Picture Pages
P.P. (16-16) follows the "Rule of 3" as the alliteration of "3" letter P (16).

Pinky And The Brain
P.A.T.B. (16-1-20-2) follows the "Rule of 3" as the combination of "3" letter P (16) with catalyzers A (1), B (2) and T (20).

Punky Brewster
P.B. (16-2) follows the "Rule of 3" as the combination of "3" letter P (16) and catalyzer B (2).

Sesame Street
S.S. (19-19) follows the "Rule of 3" as the alliteration of "3" letter S (19).  Even PBS, the Public Broadcasting Service, the network which originally aired Sesame Street, follows the "Rule of 3" as the combination of "3" letters P (16) and S (19) with catalyzer B (2).

Shirt Tales
S.T. (19-20) follows the "Rule of 3" as the combination of "3" letter S (19) and catalyzer T (20).

Sid The Science Kid
S.T.S.K. (19-20-19-11) follows the "Rule of 3" as the combination of "3" letter S (19) and catalyzers T (20) and K (11).

Small Wonder
S.W. follows the "Rule of 3" as the combination of "3" letter S (19) and W (23).

Square Pegs
S.P. follows the "Rule of 3" as the combination of "3" letter S (19) and P (16).

Strawberry Shortcake
S.S. (19-19) follows the "Rule of 3" as the alliteration of "3" letter S (19).  It also suggests S.S.C. (19-19-3) also following the same rule.

Super Friends
S.F. (19-6) follows the "Rule of 3" as the combination of "3" letters S (19) and F (6)

The Flintstones
T.F. (20-6) follows the "Rule of 3" as the combination of "3" letters F (6) with catalyzer T (20).  It also suggests T.F.S. (20-6-19) which follows the same rule.

The Muppets Show
T.M.S. (20-13-19) follows the "Rule of 3" as the combination of "3" letters M (13) and S (19) with catalyzer T (20).

The Pink Panther
T.P.P. (20-16-16) follows the "Rule of 3" as the combination of "3" letters P (20) with catalyzer T (20).

The Wild Thornberrys
T.W.T. (20-23-20) follows the "Rule of 3" as the combination of "3" letters W (23) with catalyzer T (20).  It also suggests T.W.T.B. (20-23-20-2) which follows the same rule.

Thunder Cats
T.C. (20-3) follows the "Rule of 3" as the combination of "3" letter C (3) and catalyzer T (20).

Top Cat
"Top Cat" is the same initials as "Thunder Cats", following the same rule.

Where In The World Is Carmen Sandiego
W.I.T.W.I.C.S. (23-9-20-23-9-3-19) follows the "Rule of 3" entirely as the combination of "3" letters C (3), I (9), W (23) and catalyzer T (20).

Wild Kratts
W.K. (23-11) follows the "Rule of 3" as the combination of "3" letter W (23) and catalyzer K (11).

The writers of the code are the secret society known popularly as the Illuminati.  They alone control the flow of media from its unknown origins to the people.  The code was invented so that the existence of this group would be effectively trivialized.  Because the public failed to recognize the pattern which was occurring in front of them, their tendency to suspect collusion was lessened even further.  If the code did not exist, the people would have perceived the Illuminati's existence much sooner than they did. 

The Illuminati used film as their apparatus for teaching the people.  Slowly over the decades, they have designed the media to match the lesson which they thought the people were needing.  They've treated us as a parent treats his child, keeping secrets from us that they thought us too immature to understand.  Good parents teach their children themselves, directly.  Instead, the Illuminati taught us in parables and riddles, codes and games.  Upon gaining the power of guardianship, they had no epiphany, they did not raise themselves up to their mission.  Instead, in their infinite conceit, they decided they were our idols, caring for us more in the way that a man cares for his dog than his beloved child.  They had everything in the world available to teach us, to give us and instead they thought they'd teach us a slow and painful lesson, a century long.  They forgot that the child is the father of the man.  

Alcohol Is Killing the Spiritual Revolution


Alcohol is so intrinsic to Western culture that the word “drinking” has come to colloquially mean drinking alcohol, not just any beverage.  Many consume it as part of their lifestyle, be that with friends, family, or alone.  We tell ourselves it’s a necessity, a diversion or a luxury.  The average individual avoids thinking of their life without it.  Some, who have been so engrossed by it, think of nothing else.  Only a small contingent of Westerners still show steady contempt for it.  Seemingly no one wants to consider a world without alcohol.  It seems like such an unattainable goal that it’s like contemplating something infinitely far away, a task perfect in its impossibility.  

That world, in which alcohol exists but is not consumed, could be so many things.  Perhaps, it would be a paradise.  Humanity makes the positive decision to abstain, and not distracted by the vice which it invites, allows itself to do all the good works we’ve avoided.  Alternatively, it might be a wasteland, full of angrily frustrated people with no way to stoke the side of them which demands inebriation.  Much of the Middle East consumes no alcohol, and although they have undoubtably reaped some benefits as a result, such as clarity of mind, that part of the world certainly has its problems as well, perhaps directly as a result.  Whether these problems are greater, lesser or equal to that those of the West cannot be ascertained with assuredness.  The West has been swimming in a churning tide of alcohol since its modern inception.  Our minds, our demeanors, our thoughts, behaviors and actions are immutably tied to it, led by it.  The supporters of Western culture like to think that their way is better, but it is just different, the other extreme.  All of humanity has tendencies that need to be smothered.  American culture allowed every individual full freedom to express themselves, and some used that maturely, enjoying themselves while also living fruitful lives.  Others proved through their recklessness that some are in need of more guidance and direction.  In countries where temperance is law, none have been given that opportunity.  Though surely some deserve it, others would surely drown themselves in an inhumane ecstasy of indulgence.  Just by looking at the countless lives destroyed by abuse, one can see that alcohol doesn’t makes the world a better place.  Although many would say their lives have been more greatly enjoyed because of it, though they can't say for sure what their life without it may have been.

Images of alcohol consumption are everywhere, and all of our worldly conceptions are informed by what is around us.  Things people say to us, we are likely to repeat.  Actions we see performed, we are likely to imitate.  The mass media influences us more than any individual we might hear or see.  It harnesses the influential force of a thousand men, all doing the same thing simultaneously.  It is hard to fault anyone for emulating the version of reality they see projected upon them.  Each of us does what we think society expects of us.  Art is supposed to imitate life, but if all of humanity's artistic creations were controlled and directed in a certain way, life would invariably become the imitation of art.  The mass media is just that, a single connected entity.  To distract the viewer from seeing its cohesive wholeness, different sectors of it present contrasting versions of reality.  The total public conception of alcohol has been exactly refined through generations of expertly tailored propaganda.

It’s known that alcohol softens the mind to suggestion.  It mitigates our faculties and opens us to outsider influence.  We’ve been told that it loosens our inhibitions, and we drink it to achieve a more personable temperament.  We’ve been told that we lack the courage to be our true selves, and we’ve been prescribed alcohol for that.  The mass media exists to steer public opinion, to affect the minds of the people, to make them think and live a certain way.  Excessive alcohol consumption has been systematically normalized by the mass media in order to numb our fortitude and ease our conditioning.  To control one’s mind should be a consummate goal.  To control another’s is an evil of the worst kind.

The perpetrators of these deeds, the authors of the mass media, the Illuminati, have stopped at nothing as part of their quest to control every minute aspect of our being.  Drowning our sensibilities in alcohol wasn’t enough.  Scaring off our innocence with violence wasn’t enough.  Filling our pure bodies with poisonous food wasn’t enough.  Altering our brains with needless prescription drugs wasn’t enough.  All of these dastardly, heinous acts upon us were still not enough to stifle the strength of the people.  All of these things, and they still needed a secret code, embedded across all of mass media, to keep us down.  Without this code affecting us subconsciously, since the conception of the mass media so many decades ago, they would not have been able to inflict all these crimes against humanity.  

The Code can be summarized simply, as the overuse of certain letters compared to others, those which contain a multiple of 3 according to their place in the alphabet.  That means that C (3), F (6), I (9), M (13) , P (16), S (19), W (23), and Z (26) are the initials of the vast majority of all titles.  This “3” group of letters is also used in combination with letters which further strengthen its dominance, A (1), B (2), J (10), K (11) and T (20).  Everything under Illuminati control, including films, television, musicvideogamesmagazinessports, slogans, use this form, the “Rule of 3”.  The code is veiled throughout the entirety of the world, unseen.  Because it has not been recognized by the general public, our sensibilities are numbed to the point of drunkedness.  The world’s most prevalent alcohol brands are all Illuminati entities, and employ the code thusly:

Captain Morgan
This brand is a good simple example of the “Rule of 3”.  Its initials are C.M., which translates to 3-13 according to each letter's place in the alphabet.  Both are “3” letters because they contain a multiple of 3 according to their place in alphabet.

Molson Canadian
This brand is the same initials reversed, which follows the “Rule of 3” in the same way.  All worldwide brand names are chosen with extreme intent.

Johnny Walker
This brand name also follow the “Rule of 3”.  W (23) is a “3” letter which strengthened by the catalyzer J (10), which one can easily understand symbolizes perfection.

Wild Turkey 
The pairing W.T. (23-20) is eminent in the media because it combines the important “3” letter W (23) with the catalyzer T (20).

Blue Moon 
The pairing B.M. (2-13) is also very common in the mass media because it follows the “Rule of 3” as the combination of the important “3” letter M (13) with catalyzer B (2).

Jameson Irish Whiskey
The initial group J.I.W. follows the “Rule of 3” as the combination of “3” letters I (9) and W (23) with catalyzer J (10).

Patron Tequila
Brand names like this one marginalize the simplicity of the code.  P.T. (16-20) also follows the “Rule of 3” as the combination of “3” letter P (16) with catalyzer (20).

Baileys Irish Cream
Brand names such as this one may seem innocent, however most often they hide a simple use of the code.  B.I.C. (2-9-3) follows the “Rule of 3” as the combination of “3” letters C (3) and I (9) with catalyzer B (2).  The pairing B.C. (2-3) is also common because it suggests the ratio 2/3, which is .666 repeating, the so-called “Number of the Beast”.  That the prominent pen company "Bic" uses the same letters is no coincidence.

Bombay Sapphire
These initials are extremely common in the media and even used as a pejorative slang term worldwide, a decision of the ruling class which teaches us language.  The pairing B.S. (2-19) follows the “Rule of 3” as the combination of “3” letter S (19) and catalyzer B (2).

Stellas Artois
The pairing S.A. (19-1) follows the “Rule of 3” as the combination of “3” letter S (19) and catalyzer A (1).

Samuel Adams
It is no coincidence that this brand name has the same initials.  It's not among America’s most popular beer brands because of the historical figure of the same name, but because his initials follow the “Rule of 3”.

Fat Tire
Silly sounding phrases like this often mask the code.  The pairing F.T. (6-20) follows the “Rule of 3” as the combination of “3” letter F (6) and catalyzer T (20).

Budweiser
Although presented as a single word, America’s most prominent beer brand nonetheless suggests two initials, B.W. (2-23).  The “3” letter W (23) is strengthened through combination with the primary letter B (2).  The word “weiser” is actually German for “wise”.  Regardless of the supposed origins of this brand name, the subliminal implication that drinking alcohol grants wisdom is horrendous in its irony.

Key Stone
The pairing K.S. (11-19) follows the “Rule of 3” as the combination of “3” letter S (19) and catalyzer K (11).

Knob Creek
K.C. (11-3) is another common pairing which follows the “Rule of 3”.  The “3” letter C (3) is strengthened by catalyzer K (11).

Makers Mark
In the mass media, alliterations (the same letter repeated) are almost always “3” letters.  M (13) repeated strengthens it and follows the "Rule of 3".

Fire Ball Cinnamon Whiskey
F.B.C.W. (6-2-3-23) follows the “Rule of 3” entirely, as the combination of “3” letters C (3), F (6) and W (23) with catalyzer B (2).

Jose Cuervo
The pairing J.C. (10-3) is extremely common in the mass media, often used as the name of fictional characters, an allusion to Jesus Christ.  It also follows the "Rule of 3" as the combination of catalyzer J (10) and "3" letter C (3).

Dos Equis
Obviously, not every extant brand can follow the "Rule of 3", or it would become too obvious and noticed.  Every product name is meant to reflect itself in its initials, so although it makes sense that many utilize the code's main tenet, others use it differently.  This brand in Spanish means "two x's".  Any inclusion of letters, English or otherwise, in product names is a tactic which the authors of the code use to trivialize its existence.

Bud Light
This title may seem reasonable, as the low calorie version of Budweiser, but exhibits an interesting use of the code corollary to the main "Rule of 3".  When possible, letters can divide, creating a ratio.  The pairing B.L. (2-12) is extremely common in the mass media because it simplifies to 1-6, which strengthens F (6), a central goal of the code. 

Labatt Blue
This brand name uses the same initials in reverse.  The pairing L.B. (12-2) simplifies to 6-1, which also strengthens F (6).

Crown Royal
The pairing C.R. (3-18) is also extremely common in the mass media, as it creates the same ratio as B.L. (2-12). 

Chivas Regal
That there are two prominent liquors of similar sounding names, of the same initials, is a tactic meant to trivialize the public's recognition of the code.  This brand strengthens 6 in the same way.

The Famous Grouse
This odd brand name employs the eminent F.G. (6-7) pairing, extremely common in the mass media because it strengthens the public conception of F (6) compared to G (7).  The pairing G.F. (7-6) is barely visible at all because at this time the authors of the code intend F (6), and the ideas which it represents, to be the more dominant of the two.

Jack Daniels
Among America's most prominent whiskeys, J.D. (10-4) does not contain any "3" letters, but consists of two catalyzers, J (10) and D (4).  The media want the public to think of alcohol as energizing, despite it being a depressant, so a brand name consisting of two catalyzers is appropriate.

Jim Beam
Similarly, J.B. (10-2) consists of the catalyzers J (10) and B (2).  The symbolism of J (10) is related to perfection, while B (2) is related to being, so it's almost as if the implication is that this product is a path to contentment.

The American Natives consumed no alcohol before European conquerers introduced them to it.  Because they had no genetically developed tolerance for it, abuse quickly became common.  We, as a worldwide culture, have come to show disdain for those who can't handle the ingestion of alcohol.  The fatalities it has caused are subconsciously seen as righteous by those more capable of stomaching it.  Rather than supporting the development of those who are physiologically adverse to alcohol, we have taken to weeding them out of society, letting this fall by the wayside, and calling it fair because of their lack of conceived strength.  The world is now full of humans who can handle their liquor, rather than those who'd be better off not imbibing.

The Code is another spirituous mixture which we've been swimming in our entire lives.  Our world could have been just a regular world, devoid of sabotage and exist without complications.  Instead, it was anything but normal, more weird than we could have ever expected.  The people who've survived the last century are those who were able to stay afloat amidst the sea of letters and numbers attempting to drown them.  If it wasn't for The Code, an entirely different segment of population would be walking the world right now, for better or for worse.