The Beast 666: Aleister Crowley's Game

Aleister Crowley was an influential Englishman, an author, mystic and self-titled magician.  The goal of his life and writings was to inaugurate humanity into a new era, which he called the Age of Horus.  If he was successful at this task, this age may have begun around the turn of the last century.  A main commandment of this theoretical age is "Do what thou wilt", a mantra which does indeed seem to match the general attitude of the past hundred years.  People worldwide have been steadily gaining more freedom to do exactly what they desire, and living by what Crowley called "True Will".  As a result the true breadth of humanity's many personalities have been unleashed for the first time, the good and bad, selfish and selfless, wild and tame.  We never knew so many different people, before they were allowed to act just as they pleased.

It is perfect fate that this Age of Horus began at the exact time which The Mass Media Alphabet Code began proliferating across the globe.  Crowley said that "[Magic is] the science and art of causing change to occur in conformity with will".  According to this definition, the code is pure magic, both a scientific and artistic method of subtly directing minds.  Although, like a living thing, it can seem like a miracle itself, the code would not exist without the detailed, systematic and organized collusion of a large amount of individuals, mostly Freemasons, working within the entertainment industry.  The Code is based on concepts in which Crowley was an expert, Kabbalah and Gematria, the Jewish disciplines revolving around Numerology.  In the code, each letter is assigned a number based on its order in the alphabet.  In Hebrew, this is elementary.  Letters equal numbers as an aspect of the language.  Part of the reason the Bible is endlessly studied is that each Hebrew letter it contains also has a numerical significance.  Basically, the code exists in order to transmutate English into a Holy Language, as is Hebrew.  

Crowley's understanding of the Grand Media Alphabet Conspiracy is unimportant.  Like other Kabbalah mystics, Crowley lived in the aether, where such concepts are simply apparent.  This code's most important idea is the "Rule of 3", the vast overuse of initials which contain a multiple of 3 according to their place in the alphabet.  A side rule is that, if possible, a letter can divide into the one which it precedes.  The pairing L.R. (12-18), for example, is extremely common in the Government-controlled mass media because 12 divided by 18 is .666 repeating, the "Number of the Beast".  Crowley signed his work as "The Beast 666", and if that was really him, then here he is:

Little Rascals
Logan’s Run
Lone Ranger
Late Registration (Kanye West album)
Love Ranch (2010 film)
Love, Rosie (2014 film)
Lost River (2014 film)
The Lord of the Rings (in all logos "of" and "the" are minimized)
The Longest Ride (2015 film)
Lab Rats (Disney Channel show)
Land Rover
Little Richard
"Low Rider" (hit song by the band War)
"Little Red Corvette" (from Prince's 1999)
Lucille Roberts (gyms)
Life's Rich Pagent (album by R.E.M.)
"Life's Rich Tapestry" (single by Modern English)
"Live Richly" (Citibank slogan, most expensive ad campaign of all time)
Last Rites (many titles)
Last Rights (many titles)
Last Resort (many titles)
Lonely Road (many titles)

The initial pairings B.C. (2/3), D.F. (4/6), H.L. (8/12) and N.U. (14/21) are used similarly because they also simplify to the fraction 2/3, .666 repeating.  D.P. (4/16) and N.P. (14/16) are also used because the divided units digits yields the same result.  By propagating a secret cipher around the world, hidden in plain sight, everyone who encounters it has an impulsive, unavoidable response.  A law of nature is that every action has equal and opposite reaction.  The initial action is the propagation of media doused in this letter-number code.  The reason that the equal and opposite reaction differs is that the object being acted upon, the brain of the individual, varies so greatly from person to person.  On one extreme, evil adults and children will multiply their malfunction because they are being subliminally programmed to worship malevolence.  Fortunately, there's the other side.  Kind souls will have the opposite response, grasping onto hope, success and unity.  As a result of this principal, the "Number of the Beast", 666, is everywhere.  So you have to look for it, recognize it, absorb it, reject it, and live your own life, free from influence.

If Crowley's Age of Horus roughly corresponds to the modern technological age, then perhaps humanity as a whole is ready to move on into the next stage, during which we finally harness enough control over Earth to end the turmoil forever.  Many believe that we have already passed into this new era, called the Age of Aquarius, or Age of Maat, by some.  It is also possible that Crowley may not have been successful in his quest, or maybe he was too efficient and we ended up an age ahead.  More likely, it is inaccurate to think about time as a series of century or millennia-long periods of history.

Now that you know how the code makes monsters out of men, you have an obligation to prove yourself to be man and not beast.  The more you understand, the more you will turn towards a success which will be all your own.  The Illuminati, who are responsible for this programming, want to see what you're made of.

Don't Talk to Me about Hitler's Struggle

Hitler sells. And more than the average historical dictator. More than Mao, Stalin, or even Napolean. When you say Hitler, people listen. If you want to get someone’s attention, you can say Hitler instead of “Excuse me”. His name is like a curse word. If you say it, you better be comfortable with whom you are around. Fortunate is it that his name wasn’t something actually common, or people might be shuddering at the sound of the name Johnson. There are some, of course, who do not shudder upon hearing this name, and might instead have the opposite reaction, feeling adoration. Their ears surely perk up upon hearing this simple two-syllable, six-letter word, and for them the word means something different, something positive. There may be no other spoken word which is so immediately divisive, and that means people will pay attention to it.  Hitler is a product that people cannot refuse to buy. He sells. The funny thing is that, unlike most of the tyrannical rulers throughout history, Hitler actually sold literally, and well. His book Mein Kampf ("My Struggle") was published in 1925. Like most books written by politicians, it contains a presentation of his platform, and an attempt to program it subtly by promoting his own self. Its immediate popularity illustrates that even well before World War II, well before his rise to power, his quest for world domination, the Reich, the Holocaust, and his mysterious death, people were interested in Hitler.  Today, due to surging world population, more people know the name than ever before, and it is possible that more people than ever support his legacy.  Even those who wish that he had never been born still say that his memory should last forever.

World War II took place well after The Code had begun in America. Every piece of national media, every film, every television show, every book and magazine, every news piece and advertising slogan was written according to it, as it is up until this day. Even during the first half of the last century, every initial, letter and number was a conscious decision made by the men and women who controlled our Western media, as it is now.  They possessed complete control of American media and exercised that power by enforcing their secret code upon it.  In today’s Germany, that is also true. The Legion have the power to control current German media, so they do. However, it is unclear that German media, disrupted by the first World War, adhered to the code.  Media was not centralized, governance was scattered, and priorities elsewhere.  Hitler’s Germany may have been similar to contemporary North Korea or Cuba, both of which seem sheltered from the Western-appearing Illuminati enforcing their will.  In America, a lack of serious turmoil allowed Government-Media-Legion control to become total.

As in the case of Nikola Tesla, there are several theories regarding Hitler’s understanding of the code.  It is possible that he was indoctrinated into the inner circle of those who know the code and use it to their advantage.  The Legion are a worldwide organization, so one must expect their membership to have extended to Nazi ranks.  Moreover, there have been attempts to connect Hitler and Nazism to mysticism and the paranormal, so their interest in an esoteric subject such as The Code follows.  It is also possible that he did not know anything about the code, either due to his lack of exposure to it or inability to recognize it.  If the latter is the case, then it is not unreasonable to connect the man’s psychotic tendencies to frustration felt by not registering the pattern in front of him.  The Code effects every person it touches, as it has for the past century.  The more it is absorbed by the consciousness, the greater the affect.  For some persons, the reaction is positive, or negligible.  In some extreme cases, however, it can have devastating psychological effects, prompting feelings of anger and confusion.  If Hitler was constantly seeing the code and not recognizing the pattern, it could have been responsible for accelerating his aggression.  Alternatively, it is also possible that Hitler did know about the code's use in America, disapproved of it, and responsively waged his war against the world in an effort to punish whomever he felt responsible.

Regardless of all these hypotheses, it is undeniable that Mein Kampf adheres to the code.  The code's main "Rule of 3" is that the majority of initials of media titles are either "3" letters, C (3), F (6), I (9), M (13), P (16),  S (19), W (23), and Z (26), or strengthening letters A, B, D, J (10), K (11) and T (20), in order to prescribe the "3" group power.  The remaining letters are used only in appropriate situations, less often and not in conjunction with the catalyzer group.  M.K. (13-11) follows the "Rule of 3" as the combination of a "3" letter, M (13), and a catalyzer K (11).  History tells us that this title was actually suggested to Hitler by his publisher, which suggests his lack of understanding.  It is possible that this individual understood the code and made certain it was employed in a publication which was to become so important.

Additionally, according to the code, every letter and its corresponding number have a specific symbolism, generally related to the most common, important words which begin with that letter.  For M (13), that word is inarguably Man.   As a more rare letter, K (11) is more difficult, but if we consider J (10) as symbolic of the idea of Perfection, than K (11) can be seen to represent the idea of Super-Perfection.  Basically, in code-speak, M.K. connects Man and Super-Perfection.  One of Hitler's most important doctrines was the idea of an Uber-Mensh, the "above-man" epitomized by the Aryan race, which M.K. (13-11) seems to channel directly.  Hitler also referenced something known in English as “The Final Solution”, superficially meaning the genocide of all non-Aryan races, however seemingly also a reference to The Code itself, which will bring about a new era of humanity.  T.F.S. (20-6-19) follows the “Rule of 3” as the combination of “3” letters F (6) and S (19) with catalyzer T (20).  Although a translation of “Endlösung”, as a prominent slogan the English version may been written by a powerful person with the code in mind.

M.K. (13-11) is a common initial pairing used by the code in media.  The ultra-violent video game series Mortal Kombat uses a trick spelling in order to appropriately use the same initials.  It is no coincidence that the American CIA operation MK Ultra contains the same initials.  The American government is doused in the code, meant to trivialize it to the uninitiated and as an inside-joke to those in the know.  The main American agencies the F.B.I. (6-2-9) and C.I.A. (3-9-1) are both prime examples of the “Rule of 3”.  Catalyzers A (1) and B (2) are used in conjunction with “3” letters C (3), F (6) and I (9).

It’s unfortunate that Hitler’s legacy includes experience as a mass murderer, despot, war criminal, as well as author, because it suggests that psychopaths like to write.  Also unfortunate is it that this article about books include so much about a person so widely despised.  The above is not meant to appeal to racists, or Hitler supporters.  It is meant to further understanding of The Code’s importance throughout the last century, which it used as the gateway to the next age.  Perhaps in the new era, when everyone understand the truths of The Code, there will be no need to talk about Hitler, so no one will.  Each of the following is among the best-selling books ever, and follows the "Rule of 3".

Charlotte's Web, published in 1952, 50 million copies sold, must be mentioned immediately.  C.W. (3-23) is among the most vital initial combinations.  The combination of two "3" letters follows the "Rule of 3".  The code is a web woven with mathematics.  

The Color Purple, published in 1982, equals T.C.P. (20-3-16).  C (3) and P (16) are "3" letters strengthened by the catalyzer T (20).

Tuesdays With Morrie by Mitch Albom. T.W.M. (20-23-13) also follows the "Rule of 3".  W (23) and M (13) are "3" letters strengthened by the catalyzer T (20).

A Separate Peace by John Knowles.  The famous coming-of-age book moves to A.S.P. (1-19-6).  The primary letter A (1) strengthens the "3" letters S (19) and P (16)

Invisible Man. I.M. = 9-13.  Separate massively popular novels by Ralph Ellison and H.G. Wells.  The importance of this initial combination cannot be overestimated.  Both letters symbolize universally important ideas, basically "I" and "Man".  

Things Fall Apart
 by Chinua Achebe. T.F.A. = 20-6-1.  10 million copies sold.  F (6) is strengthened by T (20) and A (1).

Who Moved My Cheese? (by Spencer Johnson, published in 1998, 26 million copies sold) is one of those delicious examples of a seemingly stupid, silly title designed to distract attention from its obvious adherence to the code.  W.M.M.C (23-13-13-3) follows the "Rule of 3" as all "3" letters.  Maybe you've never heard of it, but it's one of the best-selling books of all time.

Wind In The Willows by Kenneth Grahame.  W.I.T.W = 23-9-20-23.  It's vitally important that children's books follow the code exactly, especially the "3" rule.  If you have a child in your life, take a look at their books and see if you can't tell how blatant the code is operating recently.  Also see my short article on Where The Wild Things Are.

Chicken Soup For The Soul, a series which has sold over 500 million copies worldwide, is a subtle reference to the code itself, as a mystical force which spurs creativity.  C.S.F.T.S. = 3-19-6-20-19.  C (3), F (6) and S (19) are "3" letters catalyzed by T (20).

Wild Swans by Jung Chang, released in 1992, 10 million copies sold.  The eminent W.S. bond moves to 23-19.  The Wanting Seed, by Anthony Burgess is the same example.  T.W.S. = 20-23-19.

The Time Traveler's Wife by Audrey Niffenegger sold nearly 3 million copies and spawned a popular film adaptation.  T.T.T.W. = 20-20-20-23.

A Wrinkle In Time by Madeleine L'Engle, another of the best-selling books of all time with 14 million copies sold.  A.W.I.T. (1-23-9-20) is the combination of "3" letters and catalyzers.

The Celestine Prophecy by James Redfield was published in 1993 and went on to sell 23 million copies.  T.C.P. (20-3-16) follows the code as the combination of "3" letters and a catalyzer.

Midnight's Children, the influential Salman Rushdie novel, moves to M.C. (13-3).

Perry Mason was a book series with over 300 million copies sold.  P.M. = 16-13.  Frank Merriwell was another book series with 125 million copies sold.  F.M. = 6-13.  It's important to recognize that fictional character names also follow the code.

Fear Street was a R.L. Stein horror series which sold 80 million copies.  F.S. = 6-19.

Now let's look at popular books which use parameters ancillary to the code's main "Rule of 3".  Everything in the mass media is titled with extreme purpose, to possess a subversive meaning.  

The Christian book series Left Behind, 65 million copies sold, is an example of the eminent L.B. (12-2) bond, which is common because the ratio created between the 12th and 2nd letters is 6.  The Lovely Bones, 10 million copies sold, and the famous utopian novel Looking Backward work the same.

Goodnight Moon, the famous children's book, 16 million copies sold, and The Ginger Man, 50 million copies sold, are both examples of the immensely important G.M. (7-13) bond, which is a statement about the relationship between God and Man.

How to Win Friends and Influence People by Dale Carnegie, 15 million copies sold, is an interesting example because of its use of noun-phrases.  It should be read "how to W.F. (23-6) and I.P. (9-16)".  What these letter-pairs signify is open to conjecture, but as left-sided letters they indicate masculinity, strength, and confidence.

Men Are From Mars, Women Are From Venus, a seminal work of the 1990s, 50 million copies sold, is an interesting encoded comment on the sexes.  It should be read as "men are from M, women are from V", or alternatively, "men are F.M., women are F.V."  The 13th letter M is left-leaning and masculine, while the 22nd letter V is right-leaning and feminine, making this an effective, terse and accurate observation.

The 7 Habits of Highly Effective People, another self-help book (25 million copies sold), is a good example of numbers being used as adjectives.  Consider the statement of this title to be "highly effective people have [godly, good, gracious] habits".  The Five People You Meet In Heaven, 10 million copies sold, uses this same tactic.  The corollary statement would be "the people you meet in heaven are [energetic, eager, excited]."

Lord of the Rings can be reduced to the eminent L.R. (12-18) bond, which simplifies to .666 through ratio.

Like everything distributed in the massive Illuminati-controlled media, books must be titled according to the principals of the Illuminati Alphabet, Dreamtime Code, The Conspiracy of Letters and Numbers.  Books, though, in comparison to Movies, Albums, Songs, and Slogans, are often more complicated usages of the code simply because the amount of titles released is consistently much greater.  The less entries in a type of media, the less the sophistication of their adherence to the code.  Every year, only about a hundred mainstream movies are actually widely released worldwide or in America, so the ways which they fit the code are simpler and more easily deciphered.  There are only twenty to thirty teams in the professional sports leagues, so their names are perhaps the most obvious of any examples. 

Conversely, there are thousands of songs released on major-label albums every year, and though every single one of them must follow the precepts of the code, the most famous singles are the ones which must follow these rules most strictly.  Others will fit the code by reflecting their initials in the temperament of the song.  For example, a song titled with the initials E.R. (5-18) will be written to exemplify sonically the symbolism of these two letters combined. While E.R. does not follow the main "3" rule of the code, the combination of these two letters of the right-sided group maintains the consonance of the code.  

This usage of the code is applied to the thousands of books which are released every year by Illuminati-controlled publishing houses. There isn't a book which you've heard of that wasn't subject to Illuminati censorship, or authorship.  So-called "indie" publishers are in fact operated independently by Illuminati members who nonetheless must follow the Illuminati's rules and regulations regarding content.  Mid-level to corporate-sized publishers are of course led and controlled by members.  So, there isn't any level of publishing which isn't under the watchful gaze of the all-seeing eye. 

Even the many scholarly and scientific publications released through universities, though not widely popular or read, are regulated.  Control of academia is important to the Illuminati's master plan.  Like all other fields, it is led by luminaries. There are literally thousands of Illuminati members who have infiltrated the highest level of the American workforce to impose their will.  All across the nation, Illuminati leaders at colleges and universities publish works which support their group's goals.  In turn, students and laymen professors will change their viewpoints.  These works may not even actually reflect the true opinion of their authors.  Instead, they reflect the opinions that the Illuminati want to be held by the people.  That their titles follow the rules of the Code is not as important as their content reflecting the Illuminati's goal to gradually change public opinions.  As the saying goes, "don't rock the boat, don't make waves". In the past century, Illuminati members have known not to veer outside of their lane, not to make statements which might interfere with the master end-goal of the Illuminati. They understand the rules of the game, and if they want to be successful, they'll play it happily.

Consider a few of the most influential novels of the last century, all of which are also dis-utopian fantasies, and all of which not coincidentally contain numbers:  Catch 22, 1984, and Fahrenheit 451.  The last century has been the epoch of the letter and the number.  The authors of these great works knew about this code, they knew about the great significance of their titles, they knew how their novels would fit into the grand scheme going on around them. These tragic views of the future are titled with extreme purpose.  Unfortunately for our purposes, they are not clearly decipherable according to the rules of the code.  However, the presence of numbers in their titles is enough to suggest a greater meaning.  There are several important dis-utopian novels which are easily deciphered: Atlas Shrugged (A.S. = 1-19) and Animal Farm (A.F. = 1-6), follow the "Rule of 3", and Logan's Run (L.R. = 12-18 = .666) moves to the number of beast.

Rob Reiner Can't Handle the Truth, But You Can

For the past hundred years, no one has noticed that a secret letter-number code has been used across the entire mass media.  The alphabet can be divided into 3 distinct groups of letters: "3" letters, Right-sided letters, and Catalyzing letters.  "3" letters contain a multiple of 3 according to their place in the alphabet: C (3), F (6), I (9), M (13), P (16), S (19), W (23), and Z (26).  The majority of mass media titles use only "3" letters or Catalyzers, which are A (1), B (2), J (10), K (11) and T (20).  The remaining letters, E (5), G (7), H (8), L (12), N (14), O (15), Q (17), R (18), U (21), V (22), X (24), and Y (25), are used much less frequently and not in combination with Catalyzers.  The objective of this subliminal "Rule of 3" code is to subconsciously strengthen public opinion of the ideas which "3" letters represent, while trivializing, marginalizing, and chastising the ideas which Right-sided letters symbolize.

The clash between "3" letters and Right-sided letters is representative of the timeless battle between Modernism and Conservatism, Hedonism and Chastity, Earth and Heaven, Comedy and Drama, Body and Soul, respectively.  The most popular pieces of media follow the "Rule of 3" because the ideas which these numbers and corresponding letters represent appeal to the most amount of the population.  Everyone can empathize with the  physical world, however the celestial side is felt by a smaller contingent.  The majority of director Rob Reiner's films are basic uses of the "Rule of 3" because they were produced with that modern Hollywood style which reflects the ideologies of the "3" group of letters.  Later in his career, when his films became less broadly appealing, the film titles utilized the Right-sided group more.  Every media piece exhibits an interesting use of the code, and analyzing every one of Reiner's films is not too intensive.  

This Is Spinal Tap (1984)
T.I.S.T. equals 20-9-19-20, following the "Rule of 3".  I (9) and S (19) are "3" letters which are surrounded by the catalyzer T (20).

The Sure Thing (1985)
T.S.T. (20-19-20) is almost the same, following the "Rule of 3".  S (19) is a "3" letter strengthened by the catalyzer T (20).

Stand By Me (1986)
S.B.M. equals 19-2-13, following the "Rule of 3".  S (19) and M (13) are "3" letters strengthened by the catalyzing letter B (2).

The Princess Bride (1987)
Again follows the "Rule of 3".  T.P.B. (20-16-2) combines the "3" letter P (16) with catalyzers T (20) and B (2).

When Harry Met Sally (1989)
W.H.M.S. equals (23-8-13-19).  W (23), M (13) and S (19) are all "3" letters.  While H (8) is not a "3" letter nor a catalyzer, it is often used in combination with "3" letters in order to imply a correlative relationship.  Can't Hardly Wait and Hangin' With Mr. Cooper are similar examples.  H symbolizes ideas related to Happy, Hope, and Heaven, so combining it with the "3" group makes sense.  What's important is that G (7) is not combined with the "3" group as often.

Misery (1990)
In order to affirm their dominance, "3" letters most commonly begin single-word titles.  Notably, the first three letters of this title are all "3" letters: M.I.S. (13-9-9).  The code can also be applied within single words.

A Few Good Men (1992)
This film features the famous line "You can't handle the truth!", an inside reference to the epoch of deception and sabotage.  As a serious film designed to attract attention to the armed forces, these initials reflect the themes of the film.  Looking at each initial pair individually, A.F. (1-6) is common because it strengthens F (6).  The eminent pairing F.G. (6-7) imbues F (6) power because it is placed in front the adjacent letter G (7).  G.M. (7-13) is another important combination reflecting a vital clash of ideologies.  

North (1994)
This is an interesting example because N (14), O (15), R (18) and H (8) are all part of the Right-sided group which opposes the "3" group.  T (20) acts a catalyzer.  The themes of this film reflect the symbolism of this group accordingly.  While the "3" group is leftist, progressive, sinister, corporeal and hedonistic, the Right-sided letters are celestial, transcendent, immaterial.

The American President (1995)
T.A.P. follows the "Rule of 3" as (20-1-16).  P (16) is a "3" letter strengthened by catalyzers T (20) and A (1).

Ghosts of Mississippi (1996)
This title is also a comment on the relationship between G (7) and M (13).  In reading the code, the word "of" is not interpreted as O (15), but instead acts as a buffer between the initials which it intersects.  In this case, the statement made is that G (7) is of M (13), part of it.  The film has this title because it was designed to assert this poetically.

The Story of Us (1999)
A director's films can't all be easy uses of the "Rule of 3" or it might become too obvious.  The statement being made by this film is that T.S. (20-19) is of U (21).  T strengthens S, a letter symbolizing ideas related to Sex, Super and Saint.  The letter U has an enigmatic identity, but is apparently related to ideas like Union, Universe, and Unity.  Alternatively, this title could be read as "the story of [U]", or even "the story of [U.S.]".

Alex & Emma (2003)
The use of an ampersand [&] here further strengthens the idea that this film is meant to reflect the relationship between the ideologies of A (1) and E (5).  This film might as well be titled "the story of [A] and [E]".

Rumor Has It (2005)
R (8) and H (18) are commonly combined because they have same units digit, creating consonance and agreement.  Houston Rockets, for example.  The H.I. (8-9) pairing is also consonant because the code prefers to ascend, rather than descend between adjacent letters.  Home Improvement uses the same initials, for example.

The Bucket List (2007)
B.L. (2-12) is very common because the ratio between B (2) and L (12) is 6.  When possible, a letter can "divide" into another with which it is combined.

Flipped (2010)
This title again significantly begins with a "3" letter, rather than a Right-sided or catalyzing letter.

The Magic of Belle Isle (2012)
The word "of" again acts as a buffer between that which it intersects, which here is T.M. (20-13) and B.I. (2-9).  These four letters follow the "Rule of 3" as the combination of "3" letters (M, I) and catalyzers (T, B).  This film consequently is meant to reflect the relationship between these competing ideas.

And So It Goes (2014)
A more mainstream blockbuster might have a title with initials A.S.I.F (1-19-9-6), following the "Rule of 3", rather than this which combines "3" letters S (19) and I (9) with the catalyzer A (1) and Right-sided G (7).  However, as a romantic comedy marketed at an older crowd, these initials are meant to appeal to the target audience.  

Being Charlie (2015)
In the modern era, the code is being much more brazenly.  B.C. (2-3) may seem simple enough, however significantly creates the ratio .666 by dividing.

LBJ (2016)
Titles containing initials are an insulting affront to the intelligence of the public at-large.  L.B. (12-2) is the same bond as Reiner's previous Bucket List, which strengthens F (6) through ratio.  Combining that pairing with the catalyzer J (10) strengthens it.  American presidents John Fitzgerald Kennedy and Linden Baines Johnson are known by their initials because they flow off the tongue and exhibit how personality is captured in initials.

Reiner is perhaps best known for his work on the comedy show All In The Family.  Hopefully by now you recognize that this title follows the "Rule of 3" simply.  A.I.T.F. equals 1-9-20-6.  The "3" letters I (9) and F (6) are strengthened by catalyzers A (1) and T (20).

This all may seem a bit weird, but stay with me.  Tell someone you know and trust, tell someone you've just met, tell your parents, tell your children, tell all you can about it, an idea which at once seems completely insane, completely ridiculous, yet at the same time perfectly reasonable, logical, simple, like the terrible revelation of missing something that's always been right in front of you.  You're part of something bigger.

Black Sabbath's Paranoid About The Government

Black Sabbath's Paranoid is among the 20th century's great Rock accomplishments, an 8-song non-stop heavy metal exhibition.  Unfortunately for the unsuspecting music fan, it was nonetheless subject to Media-Government censorship, who had to impose their ubiquitous Secret Number-Letter Code upon it.  As you will learn, the majority of the album's song titles very easily follow this code's main "Rule of 3".  As initials, "3" letters, those which contain a multiple of 3 according to their place in the alphabet, are greatly over-used compared to all others.

1. "War Pigs"
W.P. = 23-16
Rule of 3: W and P are both "3" letters because they contain a multiple of 3 according to their place in the alphabet.   Pairing them together strengthens their bond.

2. "Paranoid"
P = 16
It may only be a single word, but significantly begins with the important 16th letter P.  So, it still follows the "Rule of 3".

3. "Planet Caravan"
P.C. = 16-3
P and C are both "3" letters, following the code's main rule again.

4. "Iron Man"
I.M. = 9-13
I and M are both "3" letters, following the code's main rule again.  The band "Iron Maiden" is the same.

5. "Electric Funeral"
E.F. = 5-6
The code prefers to ascend between adjacent letters, in order to imply a correlational relationship between the two.  The hit song "Electric Feel" is the same.

6. "Hand of Doom"
H.D. = 8-4
The code treats "of" not as an O (15), but as a buffer between what lies on either side.  H (8), symbolizing Happiness, Hope, Healing, is "of" D (4), part of it, symbolizing Direction, Duty, Drive.  Every letter and its corresponding number symbolize ideas related to the most important, common words which begin with that letter.

7. "Rat Salad"
R.S. = 18-19
Like Radio Shack, Red SonjaRubber Soul, Rolling Stone and Real Steel, this title also ascends between adjacent letters.

8. "Fairies Wear Boots"
F.W.B. - 6-23-2
Rule of 3:  This sort of title is the Government-Media teasing you.  A silly sounding phrase which hides the subliminal message of real importance.  F and W are "3" letters which are strengthened by the primary letter B.

We should recognize that Black Sabbath also follows the "Rule of 3" as B.S. (2-19).  The important letter S is strengthened by the catalyzer B.  The album's cover also features  the image of some sort of future policeman reflected 3 times.

Paranoid is really the perfect title for this album, because its song titles are some of the clearest, most obvious uses of the code.  Maybe someone purchased the vinyl back in 1970, saw the album title, looked at the song names, and wondered what if there was some deeper significance to them.  But, to go any farther, and wonder if there some kind of organized subterfuge happening, would be excessive.  That would be at the level of paranoia, a classifiable medical malady.  In our current age, we chastise those who say that they see things which we don't see ourselves.  Their perception scares us because we can't fathom it.  These close-minded people run to the security of those who agree with their own views, so they can levy praise upon them and themselves.  Really, all new ideas come directly from paranoia, the internal suspicion that something novel has gone unnoticed.

The code is how the Western world has become ultra-liberal, by going to the source of human emotions and changing our mindsets subliminally.  If the code was used in the opposite way, strengthening the right-sided letters, people's conception of life would be completely opposite.  We would all jointly object to violent movies, to incessant cursing, to the constant barrage of sexual imagery, the objectification of women, the mockery of the steadfast.  But instead, our America exists to tease the right-sided people of the Middle East, in their ridged traditional religious conservatism.

The Secret Horror Code

There's a huge secret reason why Google just changed its official name to Alphabet.  Long ago, the Freemasonry elite secretly conspired with their members implanted in the entertainment industry, to follow a letter-number code in titling the entirety of all media, which would subliminally subdue the American population, so that goals towards New World Order could be sought.  Even if this code were not based on universal design and mathematics, its popular use in the media would still forcefully impart important meaning upon letters and numbers.

Every letter is inextricably connected to its corresponding number, which is determined by its place in the order of the alphabet (A, B, C = 1, 2, 3).  The alphabet can be divided into three distinct groups: Catalyzers, the "3" group, and the Right-sided group.  Catalyzers are letters which strengthen whatever they are combined with: A (1), B (2), D (4), J (10), K (11), T (20).  "3" letters are those whose position in the alphabet contains a multiple of 3: C (3), F (6), I (9), M (13), P (16), S (19), W (23), and Z (26).  Right-sided letters are what remains of the alphabet.  The vast majority of all mainstream films, horror films especially, follow the "Rule of 3", having the initials of only the catalyzers and "3" group.  Right-sided letters are used relatively 
rarely as initials.

It is appropriate that Horror films often follow the "Rule of 3" because films and shows are meant to represent the symbolism of their initials.  As a whole, the "3" group of letters symbolizes ideas which are liberal, progressive, forward, untraditional, iconoclastic, leftist.  The last century's most liked and seen Horror films all exhibit the code's methodology:

Alice, Sweet Alice (1976): A.S.A. = 1-19-1
Altered States (1980): A.S. = 1-19
American Mary (2000): A.P. = 1-13
American Psycho (2000): A.P. = 1-16
Berberian Sound Studio (2012): B.S.S. = 2-19-19
Black Sabath (1963): B.S. = 2-19
Black Sunday (1960): B.S. = 2-19
Body Parts (1991): B.P. = 2-16
Body Snatchers (1993): B.S. = 2-19
Cabin Fever (2002): C.F. = 3-6
Candy Man (1982): C.M. = 3-13
Cape Fear (1962): C.F. = 3-6
Castle Freak (1995): C.F. = 3-6
Cemetery Man (1994): C.M. = 3-13
Child's Play (1988): C.P. = 3-16
Creep Show (1982): C.S. = 3-19
Dead Silence (2007): D.S. = 4-19
Dog Soldiers (2002): D.S. = 4-19
Dark Water (2005): D.W. = 4-23
Fight Club (1999): F.C. = 6-3
Friday The 13th (1980): F.T.M. = 6-20-13
From A Whisper To A Scream (1987): F.A.W.T.A.S. = 6-1-23-20-1-19
From Dusk Till Dawn (1996): F.D.T.D. = 6-4-20-4
It (1990): I.T. = 9-20
It Follows (2014): I.F. = 9-6
Jaws (1977): J.A.W.S. = 10-1-1-23-19
Jeepers Creepers (2001): J.C. = 10-3
Paranormal Activity (2009): P.A. = 16-1
Planet Terror (2007): P.T. = 16-20
Peeping Tom (1960): P.T. = 16-20
Pet Sematary (1989): P.S. = 16-19
Puppet Master (1989): P.M. = 16-13
Saw (2004): S.A.W. = 19-1-23
Session 9 (2001): S.I. = 19-9
Shutter Island (2010): S.I. = 19-9
Sleepaway Camp (1983): S.C. = 19-3
Tales From The Crypt (1972): T.F.T.C. = 20-6-20-3
The 6th Sense (1999): T.F.S = 20-6-19
The Black Swan (2010): T.B.S. = 20-2-19
The Blair Witch Project (1999): T.B.W.P. = 20-2-23-16
The Cabin In The Woods (2012): T.C.I.T.W. = 20-3-9-20-23
The Stuff (1985): T.S. = 20-19
The Texas Chain Saw Massacre (1974): T.T.C.S.M. = 20-20-3-19-13
The Ward (2010): T.W. = 20-23
The Wolfman (2010): T.W. = 20-23
The Wicker Man (1973): T.W.M. = 20-23-13
The Wicker Tree (2011): T.W.T. = 20-23-20
We Are What We Are (2010): W.A.W.W.A. = 23-1-23-23-1
When A Stranger Calls (1979): W.A.S.C. = 23-1-19-3
Wolf Creek (2005): W.C. = 23-3
Wrong Turn (2002): W.T. = 23-20

We humans were once one.  Those who were illuminated and those who were not worked together, lived together, in peace and war, but as one.  Then, some decided to separate.  These people considered themselves better than others, and unable to coexist among normal minds, which they saw as darkened.  The created a barrier separating their group from the others, a barrier which did not exist, an invisible meaningless abstraction.  Behind their wall, they felt safer to do their work.  Their minds focused on Psychology, Philosophy, Science and Religion, they saw a grand significance and deeper meaning in numbers.  They knew that a triangle represented a different idea than a square, a line meant something different from a point.  And when these higher people wrote the alphabet, they knew that it must have order.  So their order made an order of the letters, a New World Order. exists to explain the secret letter-number code by which all media is titled.  If you're not already familiar with this code, welcome, and start with the Site Map and see what you can learn.